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America's Got Talent back to the roots of Rock'n'Roll

There are things that you fall over like that. A Redneck - Kevin Skinner - comes with his guitar in a television reality show in the con. Everybody's laughing at his mouth, David Hasselhoff is the arrogant and the room curled up with laughter. Getting ready to play a massacre and we know how broadly it will end. But now, the guy itches some chords and raises his voice above. And in two phrases, it catapults thanks condescending destroys and annihilates all inclinations mocking criticism to come. Hasselhoff is standing almost on the verge of tears and no longer knows how to hide his past arrogance.

Why now affects us all?

ago at this moment, everything that made us interested and believe in rock: simplicity, sincerity and a voice - because I think rock is primarily a voice. By Kevin Skinner, we see Elvis, Dylan, Springsteen. Thank you to America's Got Talent back to this piece of soul of rock'n'roll.

THAT

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Philippe maneuver about the Blue Öyster Cult

In this excerpt from the show Jukebox (monthly rock on Antenne 2, which passed 75 to 78) created and hosted by Freddy Hausser (we will more fully on the passer in a while), Philippe maneuver, yet only known cult and readers of Rock & Folk, appeared for the first time on TV. His intervention
Blue Öyster Cult is fundamental and decisive in more ways than one:
- First, Labourer apprehends rock historically.
- Second, it produces a substantive analysis - the song from Blue Oyster Cult, " Stairways to the Stars, "says Flex, denounces with relevance to the world of showbiz where rock stars show the virtues they do not practice - thus defining the rock as meaningful and deciphering the world around him.
- Third, Labourer asserts dogmatically adopting an almost professorial tone somewhat defused by quiet dandyism.
These three elements: the historical vision, text analysis and tone confirms that the rock can not be approached as a mere phenomenon of retarded teenagers but rather as a cultural event in itself. Maneuver completes and the work of Rock & Folk, which was under the pulse Koechlin (we will soon be on him shortly), to approach the rock with the same seriousness as Art critic Press Tel / Quel.

PS emphasize participation Zermati Marc Lebrun and Christian magazine's Best. We will also devote one or more articles to Marc Zermati soon, engineering inescapable years 70/80. I know, Taff was on keyboards.

THAT

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Dylan and Donovan - Dont Look Back

In 1965, Bob Dylan undertakes a tour England. DA Pennebaker follows with his camera and his first book musical documentary "Dont Look Back " - follow " Monterey Pop" and "Ziggy Stardust and the Spiders from Mars " etc.. Dylan plays the revival folk, really far from objecting wave pop merchants who stormed the American airwaves and young minds. But Dylan is at a turning point in his career, he electrified his music with the album "Bringing It All Back Home" released a few months ago and part of the audience accused him of treason. In a hotel room, Donovan comes to visit him. Clone Dylanien, Donovan, at 64, the british Hugues Auffray preparing his transfer featuring folk pop sound and image that will be remembered primarily.

black glasses screwed on the skull, Dylan plays seriously and warmly Donovan performing "To Sing for You" from his debut album, epitomizes the Donovan Dylan Freewheelin '. The song finished, Dylan takes the guitar and sings "It's All Over Now, Baby Blue." Donovan has new management and its agreements now knows where the lead.